Since the Ming Dynasty, Lu silk has been a tribute to the royal family. The Palace Museum still houses over 50 pieces of Lu silk wedding quilts, which confirm its deep connection with the imperial power and ritual system. The application of royal totems such as dragons, phoenixes and peonies has made the product a contemporary continuation of the "imperial-level aesthetic". For instance, the regulations of the Lu silk quilt exclusively used in the wedding ceremonies of the Ming and Qing imperial families are still being replicated to this day. The weaving technique of Lu silk involves 298 procedures and takes 375 days to complete a wedding quilt. Its handcrafted gold embroidery and the green and blue color matching of Fahua porcelain transform totem symbols into tangible cultural heritages. After being included in the National Intangible Cultural Heritage List in 2014, it has become a carrier for the export of Eastern aesthetics.

The Lu silk quilt in wedding customs carries the function of passing on the family precept of "four generations under one roof" : the peacock and wisteria symbolize the love between husband and wife, the plum blossom and chrysanthemum imply intergenerational harmony, and the peony implies the inheritance of filial piety, forming a family ethical expression of "a bowl of soup distance". For high-end customers, this is both a concrete manifestation of the family history and a certification of cultural heritage. The product is made of silk raw materials that meet the historical standards of "South Song River, North Lu 'an" (5,250 cocoons per quilt), and is combined with the classic wedding patterns of the emperor in the Kunning Palace of the Forbidden City, making it have both the collection value of cultural relics and the attributes of modern luxury goods. In 2025, the sales of the co-branded products of a certain liquor brand and Lu Silk increased by 37%, confirming the market's recognition of the scarcity of culture.